Modernist Preoccupations With Progress: An Exploration

Modernist Preoccupations With Progress: An Exploration The term ‘Modernism relies upon notions of progress in that it is defined by an ‘artistic and literary superiority of moderns over ancients. The ‘modern era enjoyed scientific, technological and social progress, whilst the uncivilized and primitive past was very much left behind. That is not to say that modern artists neglected to recognise their debt to the past and although modernists tended to reject notions of time as linear, the causal development of time meant modern artists and writers often looked to the past at least as a tool for comparison. It could be said that Modernist art reacted to the rapidly changing and dehumanised world of the late nineteenth and early twentieth centuries by actually challenging common notions of progress and demanding a reappraisal of the direction in which society was moving. The artistic movement known as Cubism originated in the minds and art of Pablo Picasso and Georges Braque, and at first stood as an experiment in style alongside avant-garde developments in western art. Like many of the movements under the ‘Modernist umbrella, Cubism sought to move away from established notions of art; Cubisms roots are in realism, but Cubist artists also challenged the convention of naturalism and the illusion of three-dimensional seeing. This was initially done by presenting a two-dimensional picture surface with flat forms and tonal colours, which aimed to bring together the mind and the eye without trying to fool the viewer into seeing something other that the ‘reality of the picture surface. In this way, Cubism presented a more accurate reality than previous artistic movements that used the convention of three-dimensional representation, because we do not see the world from a singular perspective. Whilst self-confessedly indebted to his Impressionist forebears, Picasso changed modern notions of art by ‘reappraising [his] fundamental materials, to redesign composition and remake form. What was seen as a breakdown in society, with the advent of mechanised warfare and impoverishment of the human spirit, encouraged Cubist artists to present a new way of looking at the world. Cubist techniques of presenting both sides of a chair or all the perspectives of a models face served to create an art in which normal notions of vision and thought are challenged; are we not able to move around an object and see it form all sides? Cubist artists first introduced collage as a tool to communicate their desire to bring life and art closer together, and so allow society to progress through ideas within art. Collages were paintings with objects attached to the canvas; Picasso stuck pieces of newspaper, stamps and rope to his canvas in order to ‘break down the boundaries between art and life, causing the viewer to ponder various kinds and degrees of artifice. That small pieces of ‘real life were appearing on the canvas showed the Cubists increasingly innovative style and the lengths to which they would go to move away from art as artifice and present a new type of artistic ‘progress that attempted to bring observers away from the constructed emotional portrayal of the artistic subject (as in Impressionism) and towards an art which gives ‘more attention to sensuous and tactile quality. Critics of Cubism blamed Picasso and his peers for becoming more concerned with geometry than with art; the r esponse was that science and emotion are brought together in Cubism to create a more rounded and stimulating experience of life than previously offered by other art forms. Whilst the Modernists obsession with moving away from past conventions and creating new intellectual depths may have seemed extreme, this preoccupation with ‘progress was a direct response to what they saw as the devaluation of art, literature and society in general throughout the Victorian period. Techniques used by the Cubist artists to comment on and re-evaluate art included ‘fragmentation, multiple perspectives, and juxtaposition, which were part of the standard Modernist repertoire. Modernist artists wanted to create and communicate new ways of experiencing art and therefore the world.There was very much a feeling that art could not only reflect and represent life, but also lead to changes within society; by challenging notions of progress, especially in the wake of the war and mechanisation, Cubist artists created their own type of progress, which was very much involved with the way the mind and the eye worked. Cubist art was controversial and little understood and any contemporary commentary could be seen to devalue the art itself, but it could be said that Cubism was an art that sought to see everything without conforming to accepted forms or styles and without pandering to popular notions of civilized human progress. The modernist era brought about the notion that everythings been done and said and painted already and Cubism was at the centre of one of the last great revolutions in early twentieth century art; partly because it fought against notions of progress, incorporated the devalued and partial art forms of the past and created a new world view which epitomised the Modernist preoccupation with progress.

Philippines: The jejemon fever Essay

What’s the texting capital of the world? It’s the Philippines. Wherever you set your eyes in the streets, in schools, in malls, you can see various people giving much attention in pressing the keypads of their phones. It’s been a habit for most of us Filipinos that on our leisure time, we spend it through texting. Admit it that even during class discussion some teachers and students usually look at their phones to see if someone had texted them. Texting here in the Philippines before was so single. We just shortened the words by sometimes omitting the vowels until a new style of texting was introduced and used – the jejemon way. Jejemon is a collective term for those persons who use a different kind of spelling and pronunciation on our English and Filipino words especially when texting. They are peculiar with their clothes. The term jejemon actually came from two words: jeje and mon. Compared to us ordinary Filipinos, jejemons have a different language. They also have a unique alphabet called the jejebeth. It is quite different in our English alphabet because it contains both letters and numbers on their alphabet. They don’t mind the grammatical incorrectness of their sentences. It is very hard to read a text message of a jejemon. You would need minutes or even hours to understand what they are trying to say. It’s like it still need to decode these sentences to fully understand them. Like a jejebuster, Filipinos should stop too much exposure of this language to the youth especially now, even Grade 5 or Grade 6 students in elementary are already exposed in mobile phones and are so much fund of texting. Even before the dominion of jejemos, spelling of words is so much affected already by our simple way of texting. Filipino texters already have a different language. Could you imagine what would happen to the proficiency of the youth on the English language if this rising number of jejemons continuously increased? Well, it’s simply a massive decreased on our adaptness in the English language especially when speaking and writing poems say for example. As time goes by some Filipinos who continuously use this language, the probability is for us to be fund of it that they might forget the real spelling of any jejemon word using our own alphabet on the English one. It may also result to less job opportunities because upon using this language even only texting, the way we speak ca be greatly affected. There is a less chance for them to be hired because their interviewer might not understand what they talking about. Our English education is also at sake. Perhaps, because of these jejemons, our education might be destabilized. But in fairness to the government, the Department of Education already implemented some training to English teachers, disseminate quality English books and provide remedial classes to students. Department of Education officials and workers also coordinate with the parents of our students to encourage the youth in using proper English. Thousands of years ago, English was introduced to Filipino ancestors by several teachers brought by the United States by the end of the Spanish era in 1989. It was widely used until such time that it became the medium of instruction in all schools. This trend was passed on from generation to generation which made Filipinos at present proficient in the said language. In the long run, the Filipino’s adeptness in speaking and writing using English as the medium had helped the country attract foreign investors to support its industry thus helping most of the population overcome hunger and poverty. This is one of the reasons why English is retained as the medium for communication next to the national language, Filipino. Perhaps, jejemon might also cause a decrease on the Philippines economy to have a greater economy, we need many investors and perhaps because of jejemons, the investors we are expecting to go in the Philippines would lessen. They might be distracted on the way jejemons dress up, speak and write. They may be offended especially our American investors because it’s like that their language had been disrespected due to the alternations on their alphabet and would be discouraged because of our poor proficiency in English – the universal language. According to the Roman Catholic Church, the birth of jejemons is fine. It will just be gone as time goes by. We can’t do anything about it because it is one way of showing our freedom of expression. However, the birth of jejemons is just like the birth of bacteria. If we won’t kill it at once, it will multiply as fast as it could until it is already countless same when a person has a cancer at stage 1, could you like this to reach stage 5 or would you cure it at once. Since, there are still so many Filipinos especially Filipino texters who are not yet so much influenced by this new style of texting, we could still stop the domination of jejemons. Filipinos should not allow it to reach its final stage wherein almost all, including the old and young speak and write words in a different way from what we are grown up with. Our national language – Filipino – is our identities. Jejemons worsens further our English proficiency today. Because of being popular, it is readily accepted by the youth which is very alarming. It influences a big part of our society where language means a lot. The distraction it creates on the technicalities of proper writing and forms of communication. This should be stopped before the worst thing happens; this is the passing of this form of informal language to the future generation.

Crime Is A Socially Constructed Phenomenon - 1547 Words

Crime is a socially constructed phenomenon. It is not static but dynamic and is defined into existence. It changes over time and place. For example, early definitions of crime such as classicism defined individuals as rational, free and responsible for their own actions. The emergence of positivism was an attempt to bring scientific methodology to criminology. Positivists believe in objectively quantifying cause and effect. In the early twentieth century a sociological lens was applied. Functionalist sociologists such as Durkheim argued that crime had a positive function for society by reinforcing societal norms and values (Ziyanak and Williams 2014). Anomie and strain theory proposed later by Robert Merton examined how poorer classes experienced frustration through lack of opportunities leading to strain. There are many others including labelling, control and cultural deviance, however; this shows that our understanding of criminology is not static and like crime itself it changes o ver time and place. This essay will specifically relate to adult male offenders. It will begin by giving a brief definition of crime. It will apply strain theory to attempt to explain why crime occurs and provide a critique. It will examine the welfarist approach during the early 1970s and will go onto look at the controversial phrase ‘nothing works’, which emanated from a paper in 1974 by Robert Martinson. This will be followed by the shift to ‘what works?’ evidence based practice. The Risk,Show MoreRelatedThe Theory Of Sociological Imagination870 Words   |  4 PagesFor decades, there have been many questions that sociologists generally ask themselves when examining a social phenomenon. One well known sociologist is C. Wright Mills. Mills came up with the concept of sociological imagination. 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Why Should Ocr Violated The Administrative Procedure Act

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